Pathways II, by Off Land

Pathways II

by Off Land

supported by

Devin Underwood (Specta Ciera/Devroka) thumbnail

Devin Underwood (Specta Ciera/Devroka) Lovely collection of live songs. Tim is truly talented at harnessing the power of his music gear & creating beautiful lush melodies. Highly recommended.

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	1.	Horizon 05:55
	2.	Galapagos 07:58
	3.	Absence 09:19
	4.	Dreams 03:04
	5.	Ages 10:46
	6.	Rain Spout 07:31
	7.	Presence 09:09
	8.	Signal 06:59
	9.	Frogs 06:57

about

50% of all purchases of Pathways II will be donated to Brain Arts Org. They are a Boston 501(c)(3) volunteer-run music and arts nonprofit organization that aims to foster the independent music, art, and film community in the greater Boston area through meetings, events, publications, and spaces (including Dorchester Arts Project, Boston Hassle and more).

Pathways is a series of releases comprised of improvised music recorded during live performances.

tracks 4, 6 recorded live 1/19/18 @ Hope Central Church, Jamaica Plain MA

tracks 2-3, 7, 9 recorded live 2/3/18 @ Dorchester Arts Project, Dorchester MA

tracks 1, 5, 8 recorded live 1/1/19 @ Great Scott, Allston MA

Thanks to Boston Hassle for supporting local music / Emma Leavitt for putting on the Dreamscape series and tracking down the recording / Dan Gonzales (aka Aninverter) for a good birthday / Allison Maria Rodriguez for inspirational art.

dorchesterartproject.org
bostonhassle.com

Gear list:
Roland XP-30
Korg SQ-1
Korg Monologue
Korg Volca FM
Korg Volca Keys
Korg Volca Sample
Korg Volca Bass
Korg Monotribe

Kalimba
Electro-Harmonix Holy Grail Reverb
Line 6 DL4
Deadbeat Delay Lay Lay
Tibetan Singing Bowl
Various acoustic Bells + Small Percussion devices

credits

released March 29, 2019

Performance photography on the Pathways II album art is by Omari Spears
www.instagram.com/o.shoots/
www.oshoots.com

Additional album photography and design by Off Land.

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some rights reserved

about

Off Land Northampton, Massachusetts

Formed in 2004 by Tim Dwyer, Off Land is influenced by music such as Javanese gamelan, ambient techno, and meditative drone. Dwyer's music is sparse yet texturally intricate, lying in some sort of electro-acoustic limbo between Namlook's more dusty ambient collaborations, emotive landscapes, and pulsating rhythmic structures. ... more

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